Marīcī (Standing Form, Multi-Figure)
#Thangka|Zhaka ·2026-01-15 16:57:29
Marīcī (Standing Form, Multi-Figure)
Menri Lineage, Zidong Style — Artist: Dorji Wanggyal (4 × 5 cm Mini Thangka)
【Product Information】
Deity: Marīcī (Standing Form, Multi-Figure Composition)
School: Menri Lineage, Zidong Style
Artist: Dorji Wanggyal
Region: Zidong, Tibet
Size: 4 × 5 cm
Materials: Mineral pigments, gold, cinnabar, lapis lazuli, turquoise
Technique: Full painting process by the artist (composition, linework, coloring, shading, gold details)
【Description】
This miniature thangka depicts Marīcī, one of the principal protective deities in Vajrayāna Buddhism.
Marīcī embodies:
• Invisible protection
* Marīcī stands upon her traditional Vajra Boar mount, a symbol of fearlessness, swiftness, and the power to dispel darkness. Radiant light and lotus motifs surround her, expressing her protective and luminous presence.
• Radiant light that dispels obstacles
• Safety during travel
• Peace, clarity, and unwavering support
This rare standing form portrays Marīcī upright on a lotus pedestal,
expressing alertness, quick action, and active protection.
The composition includes multiple manifestations, symbolizing:
• Protection from all directions
• Strengthened defensive and supportive qualities
• The gathering of Marīcī’s various aspects into one complete form
Symbolic Meaning
Marīcī is revered for:
• Removing unseen obstacles
• Safeguarding journeys and daily activities
• Dispelling fear, uncertainty, and harmful influences
• Providing energetic stability and clarity
• Offering strong protective blessings
The standing form is especially linked to swift response and vigilant guardianship.
Menri × Zidong Style
• Rich ornamentation and full-background composition
• Structured proportions and balanced layout
• Layered color transitions
• A classical yet vibrant aesthetic unique to Zidong painters
【Artist Overview — Dorji Wanggyal】
Dorji Wanggyal is a painter from the Zidong region and an elder contemporary of Tsering Lodrö.
He is known for steady composition, refined facial expressions, and controlled color palettes.
His Marīcī works, especially standing-form compositions,
are regarded as distinctive and highly collectible within his portfolio.